|Travis JeppesenBad Writing|
Travis Jeppesen’s Bad Writing is a collection of interconnected essays and “fictocriticisms,” many appearing in print for the first time, that etches a pathway for a truly radical “bad” modernism in art and literature. Erudite, witty, and occasionally controversial, Bad Writing reinvigorates the too-often staid medium of art criticism as an iconoclastic and inventive literary art form.
|Reinhold Görling, Barbara Gronau, Ludger Schwarte (Eds.)Aesthetics of Standstill|
“Standstill” could be the name for the exact kind of experience that is the hiatus between social expectations and real possibilities of agency. Standstill may also be the name of an aesthetic strategy to instill a non-linear time of resistance and experience into the political protocol of progress. Finally, standstill can be the name for the temporal fissure in the midst of the subject, for the lapse between the subject of the enunciation and the subject of a statement, the limit that is the border between the inside and the outside.
|Oliver MarchartConflictual Aesthetics
Artistic Activism and the Public Sphere
A new wave of artistic activism has emerged in recent years. The ever-increasing dominance of authoritarian neoliberalism has prompted many artists to turn toward more direct forms of action. On closer inspection, however, activist practices have been around much longer in the art field. As Oliver Marchart claims, there has always been an activist undercurrent of art.
|Jill JohnstonThe Disintegration of a Critic|
Jill Johnston—cultural critic, auto/biographer, and lesbian icon—was renowned as a writer on dance, especially on the developments around Judson Dance and the 1960s downtown New York City scene, and later as the author of the radical-feminist classic Lesbian Nation (1973). This book collects thirty texts by Jill Johnston that were initially published in her weekly column for The Village Voice between 1960 and 1974. The column provided a format in which Johnston could dissolve distinctions between the personal, the critical, and the political.
|CuratorLab 2017/18 (Eds.)Red Love: A Reader on Alexandra Kollontai
Kollontai. A Play by Agneta Pleijel
Red Love: A Reader on Aleksandra Kollontai stems from a yearlong research project by CuratorLab at Konstfack University together with Tensta konsthall, leading up to Dora García’s exhibition “Red Love” and its related public programing. A number of artists and thinkers revisit Kollontai’s ideas on the politics of love and their relation to current political, social and feminist struggles. The publication also includes the biographical play Kollontai from 1977 by distinguished Swedish writer Agneta Pleijel.