|Marika Kuźmicz, Łukasz Ronduda (Eds.)Workshop of the Film Form|
Workshop of the Film Form provides an in-depth overview of the achievements of Warsztat Formy Filmowej (WWF; Workshop of the Film Form), a group of avant-garde artists who were working at the Leon Schiller National Higher School of Film, Television and Theatre in Lodz, Poland, between 1970 and 1977. It examines all aspects of WFF’s activity, from their films, photographic experiments, video art, and performative actions to their teaching work, which includes previously unexplored pedagogical contributions to the National Film School.
This publication intersperses essays from scholars, historians, and thinkers with a selection of Allan Sekula’s seminal texts and excerpts from his private notebooks. Made and written across the decades, Sekula’s sketches and texts focus on maritime space and the material, economic, and ecological implications of globalization. In projects such as his magnum opus Fish Story (1989–95), or films like Lottery of the Sea (2006) and The Forgotten Space (2010), Sekula provided a view from and of the sea. This publication expands on these oceanic themes, seeking to honor the scope and complexity of the late artist-theorist’s work, and situate his ideas in current political, social, and environmental discourses.
|T. J. DemosAgainst the Anthropocene
Visual Culture and Environment Today
Addressing the current upswing of attention in the sciences, arts, and humanities in relation to the new proposal that we are in a human-driven epoch called the Anthropocene, this book critically surveys that thesis and points to its limitations. Art historian T. J. Demos analyzes contemporary visual culture—popular science websites, remote sensing and SatNav imagery, eco-activist mobilizations, and experimental artistic projects—to consider how the term works ideologically, proposing more than merely a description of objective geological periodization.